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Murder
A darkly funny stealth timing game where you sneak up on the king, stab for the crown and dodge traitors, all in murderous royal chaos on Kiz10.
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Murder
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SCP: SurvivePlay : Murder 🕹️ Game on Kiz10
Rating:
4 (14 votes)
Released:
14 Nov 2014
Last Updated:
19 Jan 2026
Technology:
HTML5
Platform:
Browser (desktop, mobile, tablet)
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- Thrones never stay warm for long in Murder. One moment you’re bowing respectfully behind the king, the next you are inching closer with a knife and a very bad idea. This is not a gentle strategy game about diplomacy. This is a fast, twitchy, third-person timing challenge where the entire universe fits into a throne room, a crown, and the precise moment you decide to betray someone who trusts you a little too much.
The concept could not be simpler: you are a courtier standing just behind the king. He occasionally turns around to check for treachery. You want to hold the spacebar to ready your stab, but you desperately do not want to be caught mid-motion. If he spins and sees you raising your dagger, your story ends right there on the carpet. If you manage to fill the “murder” bar without being spotted, you take his place on the throne, slip on the crown and instantly become the nervous monarch everyone else wants to stab. It’s the full life cycle of betrayal in a few seconds.
Throne room paranoia kicks in fast. As a would-be assassin, you stare at the king’s back and try to read his body language like it has tells. Did his shoulders twitch? Is he about to spin? You start and stop the spacebar in tiny bursts, trying to gain progress without triggering suspicion. The whole thing feels like playing chicken with a man wearing velvet and a target on his spine. When he finally whips around while you are standing perfectly still, you exhale like you just survived a horror jump scare. When he turns and catches you mid-stab, that little flinch in your chest is half shock, half “okay, I deserved that.”
Then the crown lands on your head, and the entire perspective flips. As king, you do not just sit there as a victim. You can glance back at your subjects whenever you like, hoping to catch the exact frame where their greed betrays them. A second ago you were begging him not to turn. Now you are snapping your head around to expose anyone with a raised arm and guilty face. The camera takes on a smug angle; you are on the throne now, and the new assassins are lining up behind you like a conveyor belt of bad intentions.
This switch between predator and prey keeps every round feeling fresh. You are never only the hero or only the villain. You are just whoever happens to be holding the knife or the crown in that moment. Fail in your assassination attempt and you slump to the floor in hilarious disgrace while another courtier quietly steps up to take your place. Succeed, and you get about two seconds of satisfaction before realizing everyone else wants to do to you exactly what you just did to their last boss.
The controls stay ridiculously simple. You move, you watch, you use the spacebar at just the right time. That minimalism is what makes Murder so addictive. There is absolutely no excuse when you fail; you were too greedy, too impatient, too confident you could squeeze in one more sliver of progress before the king turned. Every loss is instantly understandable, which is why you immediately mash restart and swear you will be more cautious next time… or, let’s be honest, even greedier.
Despite the grim theme, the presentation is pure dark comedy. Characters look cartoonish rather than realistic, their reactions exaggerated enough that failure is funny instead of brutal. Getting caught mid-stab feels more like being busted in a school prank than a crime drama. The throne room is compact and readable, making it easy to focus on the king’s posture and the simple silhouette of your would-be murderer. The music and sound effects lean into playful tension, that “something is about to go wrong” mood you get in slapstick cartoons.
Timing is everything, but reading rhythm is the hidden skill. The king does not turn at purely random intervals; there is a cadence to his paranoia, a pattern buried inside his movements. You start counting silently in your head, trying to guess when the next check will come, trusting your intuition more than any visible timer. When you’re on the throne yourself, you feel that same rhythm from the other side, flicking your gaze back as if you can sense the exact moment someone behind you is getting too confident. It becomes a tiny dance of micro-bluffs between you and the AI.
As the game goes on, the pressure ramps up just enough to keep things spicy. New character types, different hats, and small visual jokes slide into the background, but the core remains tightly focused on betrayal and timing. You are not juggling inventories or managing stats; you are managing your own nerves. Do you go for a quick, small stab and wait, or hold the button in one long, reckless charge for a dramatic finish? Every choice has a vibe, and half the joy of Murder is deciding what kind of traitor you want to be today.
Playing on Kiz10 gives Murder that perfect “one more round” environment. It loads quickly, runs in your browser, and hits you with clean, immediate feedback. You can log in for a few minutes, attempt a handful of coups and backstabs, laugh at your failures and move on. Or you can lose half an hour chasing the legendary streak where you flawlessly time every assassination, catching would-be traitors as king and then reclaiming the throne again after your own fall. The short runs, quick restarts and simple mechanics make it ideal for both quick breaks and low-key marathons.
There is also a quiet social element, even though you are not playing online. Murder is the kind of game you can show to someone next to you and instantly get them hooked. “Here, hold space when he is not looking. Don’t get caught.” That’s all you need to say. Watching friends panic, overcharge the stab bar and get busted right away is part of the fun. And once they finally land their first clean assassination and slip into the crown, that evil little grin they get says everything about why this game works.
In the end, Murder is not about realistic combat or complex plots. It is about that single delicious moment where you decide to betray someone, and whether you were quick enough to get away with it. Short, sharp, and darkly funny, it turns the entire idea of palace intrigue into a few seconds of pure tension wrapped around a single key. On Kiz10, it stands out as one of those tiny games you load “just to try once” and then keep coming back to, again and again, until you finally feel like the rightful ruler of that ridiculous little throne room.
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