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Evil Nun
Evil Nun is a horror escape game where you sneak through a haunted school, solve puzzles, and survive Sister Madeline on Kiz10. đđŤđ°
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Evil Nun
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Deer LabyrinthPlay : Evil Nun đšď¸ Game on Kiz10
Rating:
3.5 (172 votes)
Released:
20 Jan 2026
Last Updated:
21 Jan 2026
Technology:
HTML5
Platform:
Browser (desktop, mobile, tablet)
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The bell rang, and the building stayed awake đđŤ
Evil Nun opens with a feeling thatâs instantly wrong, like a normal school day got turned inside out and nobody bothered to fix it. The halls feel too long. The doors feel too heavy. The air feels like itâs holding its breath. And somewhere in that silence, Sister Madeline is moving, not rushing, not searching like a confused enemy, but patrolling like the place belongs to her. Itâs a first person horror escape game, and it knows exactly what makes people nervous. It doesnât throw monsters at you nonstop. It lets your imagination do the screaming.
Evil Nun opens with a feeling thatâs instantly wrong, like a normal school day got turned inside out and nobody bothered to fix it. The halls feel too long. The doors feel too heavy. The air feels like itâs holding its breath. And somewhere in that silence, Sister Madeline is moving, not rushing, not searching like a confused enemy, but patrolling like the place belongs to her. Itâs a first person horror escape game, and it knows exactly what makes people nervous. It doesnât throw monsters at you nonstop. It lets your imagination do the screaming.
Your mission is simple on paper. Escape the school before the ritual is completed. But the school is a maze that keeps changing in your head as you explore it. What was safe ten minutes ago becomes dangerous the moment you make noise. What looked like a dead end becomes a lifeline once you find the right item. And the scariest part is how quickly you start thinking like a desperate student with a plan. Not a hero. Not a warrior. Just someone trying not to get caught.
Noise is currency, and you are always broke đđŹ
The gameâs tension lives in sound. Every creak, every dropped object, every careless sprint feels like you just sent an invitation. Sister Madeline hears more than you want her to, and Evil Nun makes you respect that in a very practical way. You stop treating rooms like rooms and start treating them like stages. Where is my hiding spot. Where is my exit. What can I grab quickly without knocking something over. Can I open this door now, or should I wait until sheâs farther away.
The gameâs tension lives in sound. Every creak, every dropped object, every careless sprint feels like you just sent an invitation. Sister Madeline hears more than you want her to, and Evil Nun makes you respect that in a very practical way. You stop treating rooms like rooms and start treating them like stages. Where is my hiding spot. Where is my exit. What can I grab quickly without knocking something over. Can I open this door now, or should I wait until sheâs farther away.
Thereâs a nasty little trick the game plays on your nerves. Sometimes you think you heard her, but itâs just the building settling, or your own footsteps echoing. You pause anyway. You listen anyway. Your heart does that small jump where you swear youâre fine, youâre totally fine, then you move again but slower. That is Evil Nun at its best, turning normal movement into a decision.
And when she actually is close, you feel it. The footsteps. The timing. The sense that if you commit to a puzzle right now, you might not finish it. You learn to work in fragments. Grab one item, back off, hide, wait, come back. Itâs not dramatic hero work. Itâs survival homework, assigned by a teacher who does not believe in second chances đľâđŤđ
The school is a puzzle box with teeth đď¸đ§Š
Escaping isnât about finding one key and leaving. Itâs about collecting tools, combining clues, unlocking paths, and realizing the school has layers. A dusty classroom might hide a hint that only makes sense once youâve seen the storage room. A vent might look like decoration until you find a way to open it. A locked door might be a permanent wall until you learn thereâs a route through a different wing that loops back. Evil Nun keeps you curious, which is dangerous because curiosity is what gets you caught.
Escaping isnât about finding one key and leaving. Itâs about collecting tools, combining clues, unlocking paths, and realizing the school has layers. A dusty classroom might hide a hint that only makes sense once youâve seen the storage room. A vent might look like decoration until you find a way to open it. A locked door might be a permanent wall until you learn thereâs a route through a different wing that loops back. Evil Nun keeps you curious, which is dangerous because curiosity is what gets you caught.
The puzzles feel grounded in the environment. Youâre not solving abstract riddles in a vacuum. Youâre reading the building like itâs whispering instructions in broken sentences. The kind of clue that makes you go, oh⌠of course⌠why would they hide that there, and then you immediately question your own logic because you are literally in a haunted school being hunted by a nun.
The best moments happen when you connect two small details into a bigger move. You find a tool that seems useless, then later you discover the exact place it belongs, and suddenly a whole new route opens. That feeling, that click in your brain, is pure escape game satisfaction, except Evil Nun adds the spicy detail that you might be interrupted mid click by someone breathing around the corner đłđŚ
Hiding is an art form, and you will become an artist đŤŁđŞ
There is a specific humiliation that comes with hiding in a locker while the enemy walks past, and youâre just⌠there⌠quiet⌠hoping your character doesnât decide to shuffle their feet at the worst time. Evil Nun turns hiding into something you take seriously. Lockers, cabinets, corners, the shadow beside a desk, anything that breaks line of sight becomes a tool.
There is a specific humiliation that comes with hiding in a locker while the enemy walks past, and youâre just⌠there⌠quiet⌠hoping your character doesnât decide to shuffle their feet at the worst time. Evil Nun turns hiding into something you take seriously. Lockers, cabinets, corners, the shadow beside a desk, anything that breaks line of sight becomes a tool.
You start memorizing patrol patterns without meaning to. Not in a clean, predictable way, but in a messy human way. She tends to check this hallway after a noise. She lingers near certain doors. She cuts through the middle of the floor when sheâs suspicious. You learn her habits like you learn the habits of a person youâre trying to avoid at school, except this person is doing rituals and is not interested in detention, sheâs interested in catching you đŹâŞ
And yes, you will mess up. You will open a door too fast, it will squeal, and youâll feel immediate regret. You will drop something, hear the sound, and just freeze like your brain temporarily disconnected. Then you run, then you hide, then you wait, then you promise yourself you will be careful next time. That promise lasts about two minutes.
Multiple escapes, one nervous system đ ď¸đ
One of the smartest things Evil Nun does is give you more than one way out. It makes every playthrough feel like youâre building a different plan. Maybe you focus on one route because it feels safer, more controlled. Maybe you choose a bolder escape that needs more steps but feels satisfying when it works. The game becomes less about a single correct solution and more about options, and options are terrifying when youâre under pressure because now you have to decide.
One of the smartest things Evil Nun does is give you more than one way out. It makes every playthrough feel like youâre building a different plan. Maybe you focus on one route because it feels safer, more controlled. Maybe you choose a bolder escape that needs more steps but feels satisfying when it works. The game becomes less about a single correct solution and more about options, and options are terrifying when youâre under pressure because now you have to decide.
Choosing an escape route changes how you explore. It changes what you prioritize, where you take risks, what items matter most. It also changes your emotional rhythm. Some routes feel like careful stealth, slow progress, lots of listening. Others feel like youâre sprinting between danger points, doing quick tasks, dodging her at the last second, somehow surviving on pure panic energy đ
đââď¸
That variety helps the game stay fresh. Youâre not just repeating the same checklist. Youâre experimenting. Youâre learning the school from different angles. And even when you know the building better, the tension still hits because the risk never fully disappears.
Small survival habits that save your life đ§ đŻď¸
You start developing little rules. Always keep one hiding spot in mind. Never do a loud action twice in the same area. Donât try to solve a complex step if her footsteps sound close. If you must take a risk, take it quickly and commit. These habits feel like common sense, but in the moment, common sense is fragile. Fear makes you rush. Fear makes you fumble. Fear makes you forget where you just came from.
You start developing little rules. Always keep one hiding spot in mind. Never do a loud action twice in the same area. Donât try to solve a complex step if her footsteps sound close. If you must take a risk, take it quickly and commit. These habits feel like common sense, but in the moment, common sense is fragile. Fear makes you rush. Fear makes you fumble. Fear makes you forget where you just came from.
Evil Nun is at its most intense when youâre halfway through something important and you hear her. Not a jump scare, not a scripted event, just the sound of her moving toward the area because you slipped up. You have a choice. Finish the action and gamble everything, or abandon it and survive. And itâs funny how often you choose survival, not because youâre weak, but because youâre smart enough to know finishing that task while sheâs nearby is basically signing a disaster contract đŤ âď¸
Why it works so well on Kiz10 đď¸â¨
Evil Nun is the kind of horror escape game that feels perfect for quick sessions, because the tension hits fast, but itâs also perfect for long sessions, because you keep wanting to improve your route. You want a cleaner run. You want to make fewer mistakes. You want to feel in control of a place that was designed to make you feel powerless.
Evil Nun is the kind of horror escape game that feels perfect for quick sessions, because the tension hits fast, but itâs also perfect for long sessions, because you keep wanting to improve your route. You want a cleaner run. You want to make fewer mistakes. You want to feel in control of a place that was designed to make you feel powerless.
If you love stealth horror, puzzle escape games, creepy school exploration, and that steady pressure where every decision matters, this one delivers. Put on your focus face. Listen closely. Move like the floor is snitching. And when you finally find your escape route, donât celebrate too early⌠the school loves last second surprises đ°đđŤ
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