Five Nights at Freddy's: Revenge of Crying Child

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Step into the Crying Child’s shoes in a furious FNAF action shooter, grabbing weapons and shredding animatronics to finally fight back against the nightmares on Kiz10.

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Five Nights at Freddy's: Revenge of Crying Child

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Five Nights at Freddys: Revenge of Crying Child

Play : Five Nights at Freddy's: Revenge of Crying Child 🕹️ Game on Kiz10

Rating:

9.00 (150 votes)

Released:

27 Jan 2026

Last Updated:

27 Jan 2026

Technology:

HTML5

Platform:

Browser (desktop, mobile, tablet)

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The bedroom lights are gone. The closet door is just a black rectangle. For once, the Crying Child isn’t hiding under the blankets waiting for teeth in the dark. In Five Nights at Freddy's: Revenge of Crying Child, he stands up, picks up a gun, and decides that if the monsters want him, they can come and earn it. This isn’t the quiet, suffocating terror of watching cameras. This is a lightning-fast action shooter built on the same nightmares, only now the fear screams back. 🔫👁️

CRYING CHILD WITH A TRIGGER FINGER 😱
You slip into his tiny shoes and immediately feel that mismatch: small body, huge fear, heavy weapon. He’s still the kid from FNAF 4, the one who knew every creak in the house and every shadow in the hallway. But now those shadows have hit a limit. Instead of waiting for a jumpscare, you move. You push down corridors, sweep your flashlight across posters and party balloons, and there’s this strange moment where you realize the pizzeria feels different when you’re the one hunting.

The Crying Child doesn’t magically stop being scared. He shakes. Your aim wobbles when an animatronic rounds the corner too fast. Sometimes you fire too early, emptying half a clip into a wall because you saw something move in the dark. That’s part of the charm: you’re not playing a fearless space marine. You’re a kid whose survival instinct has finally snapped into offense. Every step is a quiet argument with your own nerves.

ANIMATRONICS THAT REFUSE TO BE BACKGROUND NOISE 🤖
The animatronics here aren’t just scripted props waiting to jump into your face on a timer. They move. They hunt. They flank. You hear a distant clank, turn left, and suddenly something metallic flashes in the corner of your view. Freddy’s towering frame blocks a doorway. Chica’s glowing eyes appear behind an arcade machine. Foxy doesn’t politely scream from a static camera anymore; he sprints, claws scraping, closing distance like a red blur of bad decisions.

Each encounter feels like a mini boss fight because the game is tuned for speed. One second of hesitation can be enough for an animatronic to go from “far away problem” to “full-screen nightmare”. You start reading their rhythms, spotting the little tells: the way a silhouette leans forward before charging, the pattern of footsteps that means something is circling you instead of walking straight. It’s still FNAF horror, just pushed into a space where your reflexes matter as much as your nerves.

GUNFIRE WHERE THERE USED TO BE DOORS AND CAMERAS 🔥
In classic Five Nights at Freddy’s, your tools were doors, lights, and a fragile battery meter. In Revenge of Crying Child, you get something much more direct. Pistols, shotguns, maybe a jittery automatic weapon that kicks harder than it looks. Each one has a personality. The basic sidearm is the nervous kid’s best friend, always there, always ready, never quite strong enough to feel safe. The heavier guns turn encounters into thunderclaps, but they come with longer reloads that feel like eternity when an animatronic is screaming in your face.

The sound design sells everything. Shots punch holes in the quiet, echoing down halls like you just did something very, very stupid. Shells clatter on tile. Mechanical joints shriek when metal bodies collapse. It’s loud and messy and strangely satisfying. You stop spraying wildly and start picking your shots: aim for the head, pop a burst into a charging Foxy, reset your aim and pivot to the doorway where you just heard another set of footsteps. That mixture of panic and precision is the core of the shooter side.

NIGHTMARES TURNED INTO ARENAS 🌑
The environments feel like warped echoes of familiar FNAF spaces. Birthday rooms with overturned tables. Hallways lined with posters that looked cute when you were just a security guard on a camera feed. Storage areas where old suits hang like skin waiting for owners. Now they’re arenas. You learn where to kite enemies, where to backpedal, which corners are death traps and which are lifesavers.

Sometimes you’ll clear a room and feel dangerously heroic. You managed your ammo, you took down three animatronics without a scratch, and for a half second you forget this is still a horror game. Then the lights flicker, something metal laughs in the distance, and your heart does that ugly little jump because you remember: this world is never fully “clear”. There’s always another phase, another wave, another pair of glowing eyes waiting just outside the edge of your flashlight beam.

A FIGHT ABOUT FEAR, NOT JUST SCORE 💔
Under the explosions and headshots, there’s still that FNAF emotional backbone: a kid who shouldn’t be here, who has no business firing these weapons, facing things that adult security guards barely survived. Revenge of Crying Child leans into that. Between waves, there are quiet seconds where the camera lingers just a bit too long on his small frame. You hear ambient noises: distant music box echoes, garbled announcements, the hum of machines that should have been turned off long ago.

You’re not just playing for high scores. You’re playing to see this kid push through the same trauma you remember from FNAF 4, but this time with a different ending. Every successful run feels less like “I won a match” and more like “he made it through one more night still standing”. You feel weirdly protective, even while you’re happily emptying magazines into whatever nightmare walks through the door.

ADRENALINE IN SHORT, SHARP BURSTS ⚡
This game is built perfectly for short sessions that get out of control. One round doesn’t take long: pick your weapon, survive the wave, clear the area, breathe. It’s the classic “just one more” trap. Maybe you died with an animatronic at 1% health. Maybe you missed a headshot you know you can land. Maybe you just want to see what happens in the next stage. Suddenly half an hour is gone and you’ve memorized every flickering light in a corridor that doesn’t even exist in real life.

Because you can play it directly in your browser on Kiz10, there’s zero friction. No installs, no long setup, just click and you’re back in the pizzeria from hell, stepping once again into the Crying Child’s very unlucky shoes. It works as a quick scare hit, a warmup before other FNAF games, or a main event when you’re in the mood for horror that actually lets you shoot back.

WHY FNAF FANS WILL KEEP COMING BACK 🎭
If you love the original Five Nights at Freddy’s vibe but sometimes wish you could do more than slam doors and pray, Revenge of Crying Child feels like a missing puzzle piece. It respects the lore feel—same animatronics, same emotional weight—but flips the gameplay into a high-speed shooter without losing the dread. You still dread turning corners. You still listen for every tiny audio clue. The difference is that now your fear rides shotgun with your trigger finger.

By the time you’ve survived a few waves, you start to realize what the title really means. It isn’t just the animatronics getting a new victim. It’s the Crying Child getting his night back, one spent shell and shattered robot at a time.