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UltraKill
UltraKill is a chaotic retro FPS on Kiz10 where speed, style, and close-range carnage keep you alive, turning every room into a metal-fueled highlight reel.
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UltraKill
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SPACE EATERS: TPlay : UltraKill đčïž Game on Kiz10
Rating:
9.00 (150 votes)
Released:
16 Jan 2026
Last Updated:
16 Jan 2026
Technology:
HTML5
Platform:
Browser (desktop, mobile, tablet)
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đ„đ€ Welcome to the kind of FPS that drinks adrenaline
UltraKill does not want your patience. It wants your reflexes, your ego, and your ability to stay calm while everything explodes in your face. You load in and the game feels like a dare written in neon and gunpowder. Classic shooter energy, yes, but sharpened into something meaner, faster, and honestly kind of disrespectful in the best way. You are V1, a war machine that runs on blood, which is a sentence that sounds ridiculous until you realize itâs also the rules. No cozy health packs. No gentle regeneration. You want to live? Get close, get messy, and collect the red spray like itâs premium fuel. On Kiz10, it hits like a sugar rush with teeth. You are not strolling through levels, you are ricocheting through them.
UltraKill does not want your patience. It wants your reflexes, your ego, and your ability to stay calm while everything explodes in your face. You load in and the game feels like a dare written in neon and gunpowder. Classic shooter energy, yes, but sharpened into something meaner, faster, and honestly kind of disrespectful in the best way. You are V1, a war machine that runs on blood, which is a sentence that sounds ridiculous until you realize itâs also the rules. No cozy health packs. No gentle regeneration. You want to live? Get close, get messy, and collect the red spray like itâs premium fuel. On Kiz10, it hits like a sugar rush with teeth. You are not strolling through levels, you are ricocheting through them.
đ©žâĄ Blood is not a reward, itâs your battery
The healing loop changes everything. In most first-person shooters, taking damage means backing off, hiding, playing cautious. UltraKill laughs at that idea. It basically tells you, âGo forward, coward.â If youâre hurt, you donât turtle up. You hunt. You push into danger. You close the gap. It creates this weird, thrilling rhythm where survival is tied to aggression, but not mindless aggression. Thereâs a difference between charging and controlling the chaos.
The first time youâre low health and you dive into a crowd anyway, it feels like youâre making a bad decision. Then it works, you splash back to full, and suddenly youâre addicted to the logic. Itâs a vicious little contract: the game gives you power, but only if you keep moving and keep fighting at the range where mistakes are fatal đ
The healing loop changes everything. In most first-person shooters, taking damage means backing off, hiding, playing cautious. UltraKill laughs at that idea. It basically tells you, âGo forward, coward.â If youâre hurt, you donât turtle up. You hunt. You push into danger. You close the gap. It creates this weird, thrilling rhythm where survival is tied to aggression, but not mindless aggression. Thereâs a difference between charging and controlling the chaos.
The first time youâre low health and you dive into a crowd anyway, it feels like youâre making a bad decision. Then it works, you splash back to full, and suddenly youâre addicted to the logic. Itâs a vicious little contract: the game gives you power, but only if you keep moving and keep fighting at the range where mistakes are fatal đ
đââïžđ§± Movement that turns hallways into skateparks
You donât move like a soldier. You move like a rumor. Sliding, jumping, wall-hopping, snapping angles mid-air, changing direction like gravity is a suggestion. UltraKillâs arenas feel designed to be abused. Corners are not cover, theyâre launch ramps. Open rooms are not âspaces,â theyâre stages.
And the speed isnât just for show. Itâs a weapon. When you learn to chain motion into combat, you stop thinking in single actions. You start thinking in flow. Slide in, blast, punch, bounce, swap weapons, fire again, reposition, and somehow youâre still airborne. Itâs the kind of FPS movement that makes you grin even while youâre sweating, because youâre doing things you didnât know your hands could do đźâš
You donât move like a soldier. You move like a rumor. Sliding, jumping, wall-hopping, snapping angles mid-air, changing direction like gravity is a suggestion. UltraKillâs arenas feel designed to be abused. Corners are not cover, theyâre launch ramps. Open rooms are not âspaces,â theyâre stages.
And the speed isnât just for show. Itâs a weapon. When you learn to chain motion into combat, you stop thinking in single actions. You start thinking in flow. Slide in, blast, punch, bounce, swap weapons, fire again, reposition, and somehow youâre still airborne. Itâs the kind of FPS movement that makes you grin even while youâre sweating, because youâre doing things you didnât know your hands could do đźâš
đ«đȘ Guns with moods, and each mood is violent
The arsenal is the fun kind of unhinged. Weapons arenât just bigger numbers, theyâre different personalities. A revolver that feels crisp and surgical. A shotgun that feels like it should come with a warning label. Tools that arenât just for shooting, but for setting up moments.
Then you start discovering the gameâs favorite hobby: rewarding creativity. Alternate fire modes change the whole rhythm. A weapon you thought was simple becomes a trick machine. You try something dumb because youâre curious, and suddenly itâs not dumb, itâs optimal. Thatâs UltraKillâs vibe in one sentence: it encourages experimentation, then applauds you when your experiment becomes a massacre đ
And yes, the coin trick energy is real. That whole âdo something stylish, then watch the room pay for itâ feeling is baked into how the combat wants to be played.
The arsenal is the fun kind of unhinged. Weapons arenât just bigger numbers, theyâre different personalities. A revolver that feels crisp and surgical. A shotgun that feels like it should come with a warning label. Tools that arenât just for shooting, but for setting up moments.
Then you start discovering the gameâs favorite hobby: rewarding creativity. Alternate fire modes change the whole rhythm. A weapon you thought was simple becomes a trick machine. You try something dumb because youâre curious, and suddenly itâs not dumb, itâs optimal. Thatâs UltraKillâs vibe in one sentence: it encourages experimentation, then applauds you when your experiment becomes a massacre đ
And yes, the coin trick energy is real. That whole âdo something stylish, then watch the room pay for itâ feeling is baked into how the combat wants to be played.
đđ„ The punch button is basically a philosophy
Most shooters give you melee as a last resort. UltraKill gives you melee as a statement. Punching isnât just âhit enemy.â Itâs timing, impact, control. Itâs the game whispering, âWhat if you could turn your own projectiles into an even bigger problem?â
Landing that perfect hit and seeing it cause a brutal chain reaction feels like landing a trick in a skating game. Youâre not just fighting, youâre performing. And it never feels like a scripted performance. It feels like you did something clever at exactly the right moment, and the game rewarded you with a room-clearing payoff and a tiny voice in your head going, okay, that was kind of sick đźâđš
Most shooters give you melee as a last resort. UltraKill gives you melee as a statement. Punching isnât just âhit enemy.â Itâs timing, impact, control. Itâs the game whispering, âWhat if you could turn your own projectiles into an even bigger problem?â
Landing that perfect hit and seeing it cause a brutal chain reaction feels like landing a trick in a skating game. Youâre not just fighting, youâre performing. And it never feels like a scripted performance. It feels like you did something clever at exactly the right moment, and the game rewarded you with a room-clearing payoff and a tiny voice in your head going, okay, that was kind of sick đźâđš
đđ Style ranks that roast you, then motivate you
UltraKill doesnât only want you to survive. It wants you to look good doing it. The scoring and style system is the cruel coach on your shoulder. You can win a fight and still feel like you disappointed the universe if you did it slowly.
So you start chasing momentum. You start mixing weapons, switching tactics, staying aggressive, avoiding damage, keeping the combo alive. Thereâs a rhythm to it, almost musical. Shoot, slide, swap, punch, jump, snap aim, repeat. When it clicks, it feels like youâre playing the level like an instrument. When it doesnât click, it feels like youâre being chased by your own panic, which is also⊠weirdly fun.
The best part is how the game makes you improve without holding your hand. Youâll fail and immediately know why. Too slow. Too greedy. Too predictable. Then you go again, faster this time, sharper this time, and suddenly the same room that bullied you becomes your personal highlight reel đ€đ„
UltraKill doesnât only want you to survive. It wants you to look good doing it. The scoring and style system is the cruel coach on your shoulder. You can win a fight and still feel like you disappointed the universe if you did it slowly.
So you start chasing momentum. You start mixing weapons, switching tactics, staying aggressive, avoiding damage, keeping the combo alive. Thereâs a rhythm to it, almost musical. Shoot, slide, swap, punch, jump, snap aim, repeat. When it clicks, it feels like youâre playing the level like an instrument. When it doesnât click, it feels like youâre being chased by your own panic, which is also⊠weirdly fun.
The best part is how the game makes you improve without holding your hand. Youâll fail and immediately know why. Too slow. Too greedy. Too predictable. Then you go again, faster this time, sharper this time, and suddenly the same room that bullied you becomes your personal highlight reel đ€đ„
đȘïžđ§ The mental game is real, even when the screen is chaos
Hereâs the secret: UltraKill is loud, but itâs not random. Under the noise is a clean demand for decision-making. Which threat first? Which weapon for this distance? Do you commit to close-range healing or reposition and risk losing tempo? Do you go for the stylish play or the safe play?
And sometimes you make the âsafeâ choice and it still goes wrong because the game punishes hesitation. Thatâs the thrill. It keeps your brain awake. Youâre not just aiming, youâre reading the room, constantly, like a fighter trying to predict the next swing.
Thereâs also this funny emotional loop where you become both confident and terrified. Confident because youâre moving like a demon, terrified because you know one bad step can unravel everything. That tension is the juice. Thatâs why you keep restarting levels like, okay, okay, I can do better. I can do it cleaner. I can do it meaner đ”âđ«
Hereâs the secret: UltraKill is loud, but itâs not random. Under the noise is a clean demand for decision-making. Which threat first? Which weapon for this distance? Do you commit to close-range healing or reposition and risk losing tempo? Do you go for the stylish play or the safe play?
And sometimes you make the âsafeâ choice and it still goes wrong because the game punishes hesitation. Thatâs the thrill. It keeps your brain awake. Youâre not just aiming, youâre reading the room, constantly, like a fighter trying to predict the next swing.
Thereâs also this funny emotional loop where you become both confident and terrified. Confident because youâre moving like a demon, terrified because you know one bad step can unravel everything. That tension is the juice. Thatâs why you keep restarting levels like, okay, okay, I can do better. I can do it cleaner. I can do it meaner đ”âđ«
đ§đ© Hell looks retro, sounds furious, and somehow feels fresh
The aesthetic is a beautiful contradiction. Low-poly, old-school vibes, but boosted with modern effects that make every hit feel sharp, every explosion feel heavy, every arena feel like a nightmare built from geometry and bad intentions. The atmosphere isnât about realism, itâs about mood. Industrial, infernal, mechanical, like the world is a factory that produces violence for fun.
And the soundtrack energy pushes you forward. Itâs the kind of music that doesnât let you breathe. You might want a pause, but the game doesnât. It keeps you moving, keeps you attacking, keeps you chasing the next perfect sequence. It turns levels into a sprinting dance of destruction where youâre half laughing, half locked in, fully awake.
The aesthetic is a beautiful contradiction. Low-poly, old-school vibes, but boosted with modern effects that make every hit feel sharp, every explosion feel heavy, every arena feel like a nightmare built from geometry and bad intentions. The atmosphere isnât about realism, itâs about mood. Industrial, infernal, mechanical, like the world is a factory that produces violence for fun.
And the soundtrack energy pushes you forward. Itâs the kind of music that doesnât let you breathe. You might want a pause, but the game doesnât. It keeps you moving, keeps you attacking, keeps you chasing the next perfect sequence. It turns levels into a sprinting dance of destruction where youâre half laughing, half locked in, fully awake.
đ§šđ The reason it sticks is simple and cruel
UltraKill makes you feel powerful, but only when you earn it. It hands you a toolbox and says, âShow me what you can do.â The first runs might be sloppy. Youâll miss shots, youâll panic, youâll get clipped by something dumb, youâll survive anyway, barely. Then you start getting cleaner. You start thinking faster. You start wanting style, not just survival.
And thatâs when you realize the game has you. Because now youâre not playing to finish. Youâre playing to improve. To optimize. To do the same fight again, but with more speed, more control, more swagger. On Kiz10, UltraKill becomes that rare shooter that doesnât just test your aim, it tests your nerve. You walk into a room and your brain goes, alright, letâs make this ugly. Then you do. And you leave with blood in your tank and a stupid grin on your face.
UltraKill makes you feel powerful, but only when you earn it. It hands you a toolbox and says, âShow me what you can do.â The first runs might be sloppy. Youâll miss shots, youâll panic, youâll get clipped by something dumb, youâll survive anyway, barely. Then you start getting cleaner. You start thinking faster. You start wanting style, not just survival.
And thatâs when you realize the game has you. Because now youâre not playing to finish. Youâre playing to improve. To optimize. To do the same fight again, but with more speed, more control, more swagger. On Kiz10, UltraKill becomes that rare shooter that doesnât just test your aim, it tests your nerve. You walk into a room and your brain goes, alright, letâs make this ugly. Then you do. And you leave with blood in your tank and a stupid grin on your face.
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