Slendrina Must Die: The Asylum

Narrative Hook: The moment you walk in is this one. Your hand is still on the doorframe, but your body knows something is wrong. It's not just chilly; it's also still. The kind of stillness that makes you think someone is watching. No music that is too loud. No warning. There was only a flash of movement down the hall. You stop. Did you see it? Or are you just nervous again?

The Premise: This asylum doesn't want you to come here. It doesn't try to intimidate you with loud noises or flashing lights. It just sits there. In a quiet way. It makes you think twice about where you're going as you walk through room after room and hallway after hallway. You don't know who was here before. You don't know who is still there. But you can sense it. Something... still there. And what about Slendrina? She is a part of it. Or maybe she is it.

How It Starts: You are in. By yourself. No guns. You only need a flashlight and your gut feeling. The air is thick. The walls are close together. You came here to find pages, but that's not as easy as it seems. Some are laying out in the open like bait. Some are in rooms that make you feel uneasy. You feel like you've made a mistake even when you locate one. Like anything that was seen.

The Encounters: Slendrina doesn't play by the rules. She watches sometimes. Sometimes she disappears before you even know she's there. And then there are the other ones. The ones that are broken. The things that aren't quite dead that come at you slowly and in a horrible way. You will run. You might scream a couple of times. And as the lights flicker and footsteps echo from nowhere, you will try not to panic.

Finding a Way: You will receive weapons eventually. But not a lot. And they don't always go where you want them to. There is a gun with only a few bullets. If you're lucky, you might get a shotgun. But you pick things up quickly; it's not about rushing through everything. It's all about timing. Fast shots. Deciding when to fight and when to run away.

The Place Itself:
It's a maze, but you can't guess where it will go. Some halls don't feel right. Some rooms are not in the right place. You might have sworn you came from one direction, but now it's gone. Doors open by themselves. They don't always open. You start to depend on memory, but the building doesn't seem to care. It changes. Or you might.

The Feeling: It gets to you. That calm fear. It doesn't use jump scares. It lets the terror grow slowly and gradually. You start to detest the sound of your own footsteps. You will stop walking only to hear. To make sure you're still by yourself. Spoiler: You're not.

What keeps you going: it's not just the pages. It's the unknown. There are levels to the asylum. You can tell that something happened here, but you don't know what. You keep traveling, not simply to get away, but to learn. You get more out of each session. A different hallway. A flicker of something in the corner. A sound you haven't heard before.

Who Will Like This:
This feels like Slender or Silent Hill, but tougher. In a good manner. This is for you if you prefer horror that isn't always obvious and makes you question what's real and what's not. It's not finished. It's dirty. It's... scary. And that's the point.

PC: WASD to move
Use the mouse to look and fire and the E key to interact.

Mobile: Swipe to aim
Touch to move
To do something, tap buttons.

In the end, this isn't a game that yells at you. It speaks softly. It waits. It lets you stroll right into something terrible, slowly, until you can't look away. Slendrina Has to Die The Asylum doesn't want to terrify you at all. It wants to be with you. It's taking a little longer than it should.